All packed up and ready to deliver, at last; it’s been a hectic few weeks, partly accentuated by a family hospitalisation that has required some time, energy and commitment. The pressure is self-inflicted, to an extent. It was only in early December that I decided, with my tutor’s agreement, that taking my submission beyond the basics and into a new, further manifestation of the New Photographic Chemistry project, was a good idea. Making that happen in just a few weeks, with Christmas intervening and the aforementioned personal commitments arising unexpectedly, has been a challenge. And, truthfully, I have ended up cutting a few corners and progressing without the level of planning, preparation and attention to detail that I normally expect to apply. The concept of what I’ve done is good; and I have brought it to a decent outcome; but there aspects of the quality, in the detail, that I might have done differently, with more time.
So, what’s in the plastic box in the foreground, above? Assignments and Tutor Reports, of course, and a small handwritten ‘occasional journal’ that has run alongside this blog; but there are two other ‘items’ that it’s worth illustrating. Let’s start with the ‘Exhibition in a Box’.
Lifting the lid reveals this, a 1:33 scale model of the micro-exhibition at Bank Street Arts – a micro-micro-exhibition!
It isn’t the one I produced when planning the event but a newly-made, more accurate representation of the exhibition, just as it was laid out back in September/October at Bank Street. It was my main publication and the key outcome of the work and the module, so the model is a way of sharing that, in three dimensional form, with the Assessors (and the big black plastic folder in the first illustration, at the beginning of this post, has a selection of large prints from the event, too). Here are a few more illustrations of the Exhibition in a Box:
The second new element of the submission is the Assessors’ Book, which incorporates a section called Exhibition in a Book. The book is hand-made, bound, and constructed by ‘yours truly’. The cover pattern is one of mine – Acutance – and is printed onto a new material I’ve just managed to source – self-adhesive, inkjet printable canvas (A3 size). I’m pleased with the way it looks from the outside.
The paper I used for most of it feels good but hasn’t printed as well as I would have liked; and I haven’t had the time to mess around and resolve that situation. It’s ‘OK’, but only ‘OK’! And my bookbinding skills were tested somewhat when combining cover and inserts – again, just about ‘OK’. Some of the pages are illustrated below.
But I have sought to build some visual elements into it. For example, I’ve created a fold-out timeline/flowchart, which presents my progress through the module visually.
And then, I have tried to bring some elements from the exhibition at Bank Street into the book.
Printed fabrics from the project
Sample, burned, page from the old textbook; the derived image, as it was presented in the exhibition; and a scrap of fabric that appears in the image
A fold-out, A2-size, version of ‘Useful Exposure Range’
The book also includes reference to some new work from another old book that I purchased back in 2014. It’s early days with this work and I haven’t made any of it public yet but it’s useful to refer to it in the submission.
Shades of Duchamp in all this, of course, which I fully acknowledge. His ghost seems to have stalked my progress through L3 – and I thank him for that!
And that is probably it on this blog, for a while. Might be back in April to reflect on the outcome!
Looks great to me. Would like to see it when it comes back.
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Thanks, Hazel; not sure this book will ever go on display, though!
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That’s fantastic!!!
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Many thanks, Stephanie – didn’t have time for a video, as you can see.
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Fabulous
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Thanks, John – hoping you mean that in the ‘good’ sense rather than the ‘having no basis in reality’ … though, come to think of it, I might quite like the latter – you’re only seeing images, after all, which we all know have no basis in reality!!
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“…truthfully, I have ended up cutting a few corners…” I don’t think so Stan. It’s been a fascinating project to watch. All the very best for assessment – but what’s next?
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Thanks, Pete; I was just referring to some elements of the book, which could have been better with more time. What next? That’s difficult – unlikely to be an MA; will certainly go on making work; there is the possibility of a little book project based on this work; but nothing more specific at this stage.
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Well done Stan.
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Thanks Mike.
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You are an inspiration to us all Stan, it looks absolutely amazing and I hope you do come back and reflect on the final outcome. Best wishes for your assessment.
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Thanks, Anne; have to tell you that I’ve never thought of myself as an “inspiration” for anything, but thanks for saying so! 🙂
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It’s a great set of inspirational images and ideas. Well done.
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Thank you, Anna; see reply to Anne above! 🙂
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Excellent conclusion to a fully in-depth body of work
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Thanks, Paul, hope you’re making progress, too.
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